Analysis of the social history of music in the renaissance
DOI:
https://doi.org/10.53591/rug.v122i1.451Keywords:
polyphony, composers, goods, schoolsAbstract
Presently work is approached an approach on the music's development in the Rebirth like consequence in the new way of life and of the humanistic theories. For he/she is necessary it to detail the different expressions that arise in the musical art from thegeneric ones, music type, composers as well as the development of the polyphony cuin the different schools. For such a reason the content of the article heads to establish relationships before among the elements mentioned.
References
ANNONI, B. D. (2001) Trans, A arte o tempo, 2001. httD!//www.trans.art.br
ARRUDA, J. J. de A. (1990) Historia Moderna e Contemporónea. 23 Edición, Sao Paulo: Ática. 1990
CACERES. R.E. (2004). Música y Actividades Musicales _ _ España: Editorial Evergróficos, S.A.
CACERES, R.E. (2008). Música 3 Segundo Ciclo _ _ España Editorial Evergróficos, S.A.
CALVO RODRÍGUEZ (1997) Expresión y apreciación musical _ _ En: https://es.scribd.com/document/282400556/Expresion-y-Apreciacion-Musical
COPLAN, A. (1975) Cómo escuchar la música. La Habana: Ed. Huracón Instituto del libro
DUFORURCQ, N. (1961 ). Breve Historia de la Música _ _ La Habana: Editorial Pueblo y Educación Enciclopedia Autodidáctica Océano*,
Tomo VII, Editorial Océano, Barcelona, España. LEICHTENTRIT, H. M.
(1978).Música e Ideas._ _ Lo Habana: Editorial Arte y
Literatura LEUCHTER, E. (1946) La historia de la música como reflejo de la evolución cultural. Editorial: Ricordi Americana, Buenos Aires
RAYNOR, H. (1986) Historia social da músico: da desde la Edad
Media Beetnoven; Caixeiro. Río de Janeiro: Guanabara
SCHOLES, P. ( 1964) Diccionario Oxford de la música. Buenos Aires:
Eaitorial Sudamericana
VARELA, F. (2004).El pensamiento creativo de la Música. EDAMEX (2004)
Published
How to Cite
Issue
Section
License
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0. International License.
You are free to:
- Share — copy and redistribute the material in any medium or format
- The licensor cannot revoke these freedoms as long as you follow the license terms.
Under the following terms:
- Attribution — You must give appropriate credit , provide a link to the license, and indicate if changes were made . You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
- NonCommercial — You may not use the material for commercial purposes .
- NoDerivatives — If you remix, transform, or build upon the material, you may not distribute the modified material.
- No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.